The Autumn Pannage

When Ada and Stan bought Apple Tree cottage in a remote village in the New Forest, they had no idea that their retirement dream would become such a special sanctuary for so many people.

Weeks after renovation work was done, this kind couple decided to use the tiny rooms upstairs for income:  a B&B.  There was a a pleasant front bedroom ( overlooking a quiet road) where,  when they left their gate open, a troupe of donkeys would wander in, looking for apple windfalls in their front garden. A cosy sitting-room, at the back, overlooked fields, where their pony, Copper, was kept. And a tiny bathroom completed the suite of rooms.

For twenty years, clients would turn up for the peaceful rest and relaxation the place offered. Many came from overseas: Australia, Belgium, France, Canada.  But the majority of their guests were British.

The ‘Visitors’ Book’ was Ada’s pride and joy.  All the ‘comments’ were positive. Some people even wrote poems about the delights of their stay. Many people returned yearly. One couple, from Ashford in Kent, had visited 23 times! Others had been for six or seven times. One lady from France wrote : ‘Unique’, after her visit.

They were simple, good people, and they had created a modest, unpretentious oasis of tranquillity. In these tiny, warm rooms, it was possible to forget the world outside, to feel  safe and cherished . Utterly at peace. They provided everything necessary to make a visit there perfect: Ordinance survey maps ( for the walkers); storm lanterns, torches ( when the power failed); delicious biscuits , coffees and teas; binoculars; illustrated books and information about the environment.  Even menus from the local pubs.

 

 

 

 

 

 

 

 

 

 

‘A Walking Shadow’, p. 25 cont.

My diary records how happy and ecstatic I felt during my pregnancy. I was convinced ( in these days before scans) that my baby would be a boy that I would name Alexander James.

On February 24th, 1973 – two weeks before his birth, on March 11th. 1973:

‘ Thank God for little Alexander inside me. How I want this child and long for him, and want to look after him’.

I rang Jonathan , from the Elizabeth Garrett Anderson Hospital for Women, in Hampstead, to tell him about Alexander’s birth.  He was kind and congratulatory, and pleased that everything had gone wellWe were to meet almost a year later, when he called to see his son.  He brought with him a copy of his latest book  Soft City, and gave me a signed copy.

We had both been busy that year.

After that,he took us both out to a visit to London Zoo, followed by tea at the Ritz, but he made it clear that he would have no further involvement with us.

I decided to book a flight to Australia very soon after. I would take Alex with me to visit my father.

I was coming out of the shadows now. This was to become a new chapter in my life.

 

 

 

 

 

 

 

 

‘A Walking Shadow’, p. 25

During these early weeks and months of my pregnancy, I continued working for Mel at the ‘Workshop’, earning a pittance and my 5% commission, but perfectly happy;  and spending evenings and weekend as a  flaneuse’ about town

. I was reading  the autobiography of V.S. Pritchett, beginning with Vo.1 :A Cab at the  Door. I was also trying to improve my poetic techniques; and was reading Paul Fussell’s  Poetic Metre and Poetic Form’.

I was seeing George quite a lot. He felt genuine concern and pain for me in my predicament as a ‘single parent’; and quite wished he had a son on the way. He was later to become a father, with his second wife.

 

George would gossip about the Raban-Ricks controversy that had been played out in the pages of The Listener recently; and how William Empson had written a letter in Jonathan’s defence, and make jokes about the poet, Douglas Dunn. Soon, George would be off to Israel on an Arts Council poetry reading junket with Adrian Mitchell, Hugo Williams and Robert Conquest.

I went with Jonathan to pick up the keys to his new flat at the Lowell’s place – 80, Redcliffe Square, but found that the door was locked from the inside . He blameg this on Israel, Caroline Blackwood’s former husband, who had previously lived  there.

‘A Walking Shadow’, p. 24

I announced the news of my pregnancy while dining with Jonathan at ‘L’Artiste Affame’. In my distress at telling him, I burnt my tongue on the boiling oil of the meat fondue we were dipping into.

  The happy event was  not well-received by him. Unsurprisingly. I had not knowingly or willingly tried to conceive a child with him.

However, to be fair,  in the following weeks, Jonathan’s moods ranged from ‘joy’ at the thought  of a child , to the  utter horror of the prospect of ‘the pram in the hall’.

Either way, his  reactions  were  ‘all over the place’. He mentioned how the literary critic, Bonamy  Dobree, had had an illegitmate child with his father,Peter Raban’s sister, which made little sense to me.

In contrast, my beloved employers – Mel Calman and Karen Usborne – were overjoyed by my happy news. They clucked and fussed over me at work;  urging me to sit down and rest; rushing out to buy me fried egg sandwiches ( my current craving) from the ‘greasy spoon’ caff next door. They then gave me the keys to their flat ( to use in order for me  to have a ‘lie down’ during the day),  promised that I could continue in my job -. and that I could bring the baby with me to work, once he or she was born.  Finally, they whisked me down to their country cottage in Kent to relax and to  have a little holiday.

They were both marvellously kind to me, and I shall forever be indebted to them for their support and nurturing in my hour of need.

For years, I had considered myself to be infertile. I was  currently ‘under investigation’ at the Elizabeth Garrett Anderson hospital’s Infertility Clinic at the time; and when the doctors there confirmed that I was pregnant, the unit was overjoyed for me.

They, and Karen Usborne both counselled me that this baby could be ‘my only chance’. So I was determined to go ahead, whether Jonathan was involved, or not. And so I did.

Karen and Mel were not the only friends that I had who spoiled me.

George would take me out to dine at  ‘The Barque and Bite’, and The Trattoria Terraza  to make sure that I ate properly, and to keep me ‘up to speed’ with all manner of literary gossip.

Over my insalata alla Sinatra, Dover sole, with shrimps, mushrooms, cauliflower and sauce gratinee, followed by fruit salad, George would read to me from the diaries he kept in the 1940s – as  a little boy – full of price lists, facts and figures.

The writer and a friend from UEA, Clive Sinclair , would take me ‘out and about’ to restaurants, the theatre and parties. I remember that  we went to see a production of Twelfth Night,  in which Vanessa Redgrave, Ann Beach and Nyree Dawn Porter played the starring roles.

Jonathan would continue to phone, from time to time, to  see how I was, from his duplex flat in the basement of Robert Lowell’s home.

 

 

 

 

 

 

 

 

 

 

 

 

‘A Walking Shadow’, p. 23

June 1972 was to be a momentous  month for me.

At the Workshop gallery, we mounted an exhibition for the British Cartoonist’s Association. The ‘Private View’ was well-attended. Harold Evans, Elkan Allan, Jill Tweedie and Alan Brien pitched up and bought work by Low, and others. The  Evening Standard  reported it  as :

‘A confusion of Cartoonists/ A  funfare show of work by most of Fleet Street’s best-known exponents, including some by Low. Fascinating to see how the most talented shine out, regardless of the different persuasions of their papers. All are for sale, from £5-£25’.

Jonathan was back from America, where he had been lecturing, and came into the gallery on June 7th.

He was in a cheerful mood, and about to move into a flat owned by Robert Lowell, in Earls Court. 80, Redcliffe Court.

I was still very involved in his life, and still  ‘in love’ with him . Playing Cupid , Mel gave me the afternoon off, so Jonathan and I   went across the road  for lunch at ‘The Lamb’, drank champagne;  got a little drunk; walked round Coram Fields; and returned to his flat,where we made love. It was a warm and beautifully fresh summer’s day. When I spoke to Jonathan about how unsure I was about ‘the career path’ I was on, he responded by saying : ‘Make me your career’.

When he  told me that I was still ‘the love of his life’, and  the only person who truly  mattered to him, and how much he had missed me, I had never felt happier.  And it was  was on that day in June  that our  son, Alexander James, was conceived.

When he was born, nine joyous  months later, I asked Mel to be his godfather.

Later that evening, Jonathan told me about the work he was doing He had just finished writing a novel that was going to be published by Constable. He had also been recording a radio play for the BBC called ‘A Game of Tombola’

He also told me that Lowell was about to be awarded an honorary degree by the University of East Anglia ; and that Angus Wilson had telephoned him for anecdotes  about Lowell. One that came to mind was the fact that inspite of being an excellent fisherman, Lowell would often fall into rivers, while fishing!

Meanwhile, at the age of 30, he had just become a member of the Savile Club.

 

 

 

‘A Walking Shadow’, p.22

From July to October I continued living and working in London, seeing friends and looking forward to leaving for Bruges on October 15th to continue my research on Belgian Symbolism. I spent time in Norway over Christmas and the New Year.

After that,  I was  back in London, looking for a new job. In the ‘Job Vacancies’ on the back pages of the  New Statesman I saw a job advertised for a ‘gallery assistant’ at ‘The Workshop’ gallery at 83, Lamb’s Conduit Street. When I went along for the interview, I found that my ‘boss-to-be’ was Mel Calman, the cartoonist.

Mel was a quiet, gentle,melancholy man, who took one look at my CV ( deemed me to be ‘over-qualified for the job’) but, no doubt,  sensed that  I was a depressively neurotic but mostly cheerful girl, and thereby perfect for the job.

The menage at Lamb’s Conduit Street was complicated. In the basement  flat  lived Mel’s ex-wife, Sue McNeill , a magazine designer, with their two enchanting little girls: Stephanie and Claire. I would see them ‘coming and going’ most days. Meanwhile, Mel lived ‘up the road’ in a flat with his current wife, a flame-haired artist, called Karen Usborne. Karen seemed to spend a lot of her time going to see her ‘analyst’.

The overall ‘atmosphere’ in the gallery was ‘tense’, although trade was quite brisk and I was usually pretty busy. However,  Mel would go into a deep gloom most days  as he had to draw and then deliver his ‘little man’ cartoon to  The Times every day for publication. The pressure to do this weighed heavily on him.  In Who’s Who he listed his recreations as ‘brooding and worrying’, and he did a great deal of both. However, once the drawing was despatched to the printers, Mel would cheer up.

Harold Evans, the editor of The Times would call in a great deal. He was funny and extremely charming and polite. Journalists and cartoonists would call in or phone. We stocked work by Bill Tidy, Patrick Garland, Hector Breeze ( my favourite cartoonist) and many others, including Michael Heath and Jon Jensen.  Gerald Scarfe, Derek Boshier, Philip Sutton and the journalists Jill Tweedie and Alan Brien would call by or buy work by a number of artists. I recall that prints by David Gentleman and drawings by Quentin Blake always sold well.

I was truly happy in this job, although I was paid very little. The warmth, generosity and kindness of Mel – and the sheer fun and good conversation that was had – more than made up for my  tiny salary. And I was also given lunch most days: a fried egg sandwich and tea from the ‘greasy spoon’ next door.

My social life as a flaneuse, and ‘girl about town’ didn’t stop either. Although I missed and remained faithful to my current flame, Harald Bruusgaard ( now back in Norway), I went out on ‘dates’ with Richard Layard and George to a variety of ‘venues’.

On one particular occasion – April 29th 1972 – I watched a fracas occur at a Poetry Symposium on ‘Publishing Poetry’, chaired by Ian Hamilton, with Alan Brownjohn, Michael Schmidt and Charles Monteith of Faber. Suddenly, a young poet in the audience, Bernard Kelly, started yelling and protesting. Peter Porter, the poet ,cuffed him on the head, Lady Dufferin, who had organised the event, became a bit hysterical, and everybody joined in the uproar  until the police were called and he was arrested and thrown out.

On May 23rd, I wrote in my diary: ‘I’m happy working for Mel and Karen, and I want very much to extend this job for a few more months, as the work is pleasant and congenial’.

I didn’t realise then how important their presence in my life was to be in the coming months.

 

 

 

 

 

 

 

 

 

 

‘A Walking Shadow’. p.21

In July, I went with George to the Poetry International meetings at the Queen Elizabeth Hall on the Southbank.

One of the highlights was the appearance of W.H. Auden. George and I had seats in the front row.  Auden shuffled on to the stage, in his carpet slippers, and spoke  to a hushed audience.

He coughed and choked his way through several poems, then abruptly stopped speaking, exactly when his ‘slot’ had finished.  Punctual about time to the last. At this point, many of us rushed to climb up on to the stage to meet the great man. He signed my programme – I have his precise signature to this day.

Ian Hamilton, the poet and literary critic, and Karl Miller, the then somewhat ferocious editor of  The Listener, were both at the ‘after party’ and came up to talk to George and I.  I like Miller. He came across as a gentle, astute, quiet man; who suddenly said to me: ‘You are a nice girl, Amanda’  We also talked to Lynn and Alan Brownjohn, the poet.

Later, George and I walked along the South Bank together. It had been a momentous evening for us both.

I was still missing JR. I sent him a gift of a tie – up to Norwich – where he was staying with Lorna and Snoo. I was still lovelorn and ever-hopeful.

On July 19th, I had an invitation to tea at the home of Cecil Harmswoth  King, the editor of The Mirror. and his wife, Dame Ruth Railton, founder of the National Youth Orchestra. Both friends of my father, who accompanied me.

My diary of July 19th, 1971 records the following:

‘Yesterday I went down to Hampton Court. When I arrived I walked along the tow-path to their magnificent house ‘The Pavilion’, built by Wren in 1630. We had tea in the kitchen. Cecil was jovial, and joked with me a great deal. We ate birthday cake to celebrate his recent 7oth birthday, and fresh bread and butter with home-made lemon curd.  Ruth chided me for smoking too much.

Cecil spoke about how he was working with Lord Longford on the Committee into Pornography.

Pan, a Japanese violinist,  who plays with the London Mozart Players ( under Harry Blech), was also there.

It was a gloriously sunny day; and the house is exquisite’.

 

 

 

 

 

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‘A Walking Shadow’.p.20

Later that month I read some poems of mine at Wanda’s Factory, at the church of St. Mary’s in Paddington Green, along with G. Weightman and  Giles Gordon. It was pretty nerve-wracking, but Giles was very kind and complimentary to me. He said that he had enjoyed reading  my poem,  Concerning the Spiritual in Motherhood, in ‘The Listener’. He said that it was ‘hauntingly beautiful’, and that he hadn’t realised that I had written it.

I felt I’d reached the apogee of any possible poetic career. Subsequently, I’ve always been too nervous to read aloud. Perhaps standing up at a pulpit was the reason.

On May 2nd I met up with Alan (Munton) again, and we had a long conversation about literature today. James Fenton of the  New  Statesman has given Alan more work: writing book reviews. Alan was also writing for a new periodical : the  New Academic, and I told him that I was going to the launch party at the Waldorf hotel May 10th.

It was here that I met dear Richard Layard, a lecturer at the LSE, who was very pleasant.

I went on quite a few dates with Richard from then on, including  a 12-mile ramble around Petworth on the South Downs. I visited his house and even considered him as a possible marriage partner. I almost ended up going to live with him, but I then pulled back. Soon after that he started living with Liz Cohen, and I was really pleased for him. We were not to be , as a couple.

I was still continuing to meet up with Jonathan, who was spending a lot of time with Robert Lowell and his wife, Caroline ( nee Blackwood ), a scion of the Guinness family, and an heiress. Jonathan was spending a lot of time drinking, smoking and fishing with Lowell and taking long walks around  the ‘estate’ in Kent.   Lorna was with him,too. Jonathan was to remain very close to Lowell and to work with him. However, at this time, Jonathan was preparing a piece on Freud, for the Aquarius arts programme on T.V

Shortly after this, he left to join Lowell in the Orkneys.

I had received a letter from John Dixon-Hunt regarding my synopsis for Belgian Symbolists: Word and Image, part of a series on Symbolism that the publisher, Studio Vista , are considering publishing.

 

 

 

 

 

‘A Walking Shadow’, p. 19

On February 26th I had lunch again with Cecil Wolff at a pub near Holborn. Alan joined us.

Talking with Cecil was like going on  a journey into the past. He savours language, and reminisces about Leonard and Virginia constantly. He has large  green eyes, covered up by huge glasses ( like battlements on the side of his hawk-like profile) . His expression is part-owl, part predator.  Most of the time he discussed  how he is contesting his uncle Leonard’s will; and that there were immense legal complications involved in it. His conversation ranged from his opinion of the ‘Omega’ art workshops, to his interest in graphology.

We drank large glasses of red wine. I had a turkey salad, emblazoned with black olives and red cabbage , while Alan and Cecil both had portions of lasagne. Interestingy, pub food’ in the 1970s was surprisingly imaginative and good in these bleak years of culinary dreariness.

I continued my research job, throughout March and April, which meant spending more interesting hours at the BM.

Meanwhile,back at Danbury Street, our evenings were spent chatting and drinking with an array of journos/hacks / actors and  TV people: Mike Beckham, Tim Thomas ( an actor),Judy Daish and so on. However, on April 20th, Snoo, Ann and I decided to leave Danbury Street, as our six month lease had ended. I had enjoyed our time there. Snoo and Ann  were moving to Clapham Common; and, as usual, I had nowhere to! However, we partied a lot in those last few days – Vic Sage came to visit; Jonathan and I went to see a play at the Unity Theatre: ‘They Gave me a Present of Mornington Crescent’;  and I also spent a weekend with John and Jill House ( John had been a tutor of mine at UEA), was a Monet specialist.

John and I were the same age; and he was always a kind and supportive mentor to me. He was to die, tragically young, at the age of sixty-six in 2012. He was the kindest of men – funny, vivacious, encouraging and full of ‘joie de vivre’. He cared for his students and shared his enthusiasm with us all, even unrolling a precious piece of canvas painted by Monet. Jill, his wife, was a sweetheart, quieter than John, and a generous hostess. At their pleasant house, I  heard Schoenberg’s ‘Pierrot Lunaire’ for the first time.

 

 

 

 

 

‘A Walking Shadow’, p.18

Over the weekend of Feb.14-16, I dined with George at ‘Al Casotto’, in SW5 and  attended ‘An Evening of Poetry’, at the King’s Head Theatre Club in Islington, introduced by Jonathan. The three poets reading were: George, Alan Brownjohn and Anthony Thwaite.

I wasn’t invited to join Jonathan and his friends for supper. Jonathan was accompanied by Francesca Greenoak. However, Alan (Brownjohn) bought me  a glass of ale, and George gave me a volume of Anthony Thwaite’s poems, so I didn’t feel too excluded.

George, dressed in pale brown suede, and drinking scotch, prattled on about the libretti that he’d written, having been accepted by the Kassel Opera House. Luckily, dear Alan (Munton) had accompanied me to the reading; and we had supper together. Once again, he proved to be a loyal and kind friend. It was a splendid evening,  and does credit to Jonathan’s excellent stage-management.

On Monday, Alan and I ltook lunch with Cecil Woolf near the offices of the New Statesman.

Cecil ‘s conversation was witty, crisp and incisive; and he reprimanded me for swearing a couple of times – quite rightly. He spoke admiringly of the writer, Colin Wilson. Charles Harrison, the editor of  Studio International, was in the same pub : smoking a  large cigar, and wearing a matelot suit with great panache.

During the  week, Alan went back to Cambridge; Snoo went up to Leeds for the world premiere of his play, ‘Pignight’.

And I also learned that dear Stevie Smith, whom I had met the year before, was very ill, with a brain tumour, in a hospital in Ashburton, Devon.